Directory

Praised as “fiery, wild, and dangerous” (Classical Voice North Carolina) with “a talent for character portrayal” (Chicago Classical Review), soprano Margaret Carpenter Haigh captivates audiences with her “flawless intonation” and “perfect vocalism” (CVNC). Commanding “expressive power, exquisite diction, and a clear, flexible voice” (Cleveland Classical), Margaret is in demand as a soloist and chamber musician throughout North America. Her dazzling technique and formidable skill as a collaborative artist shine in performances of repertoire spanning from the Renaissance and Baroque to the modern day.

Engagements of note include the American premiere of Huang Ruo’s 12-voice tour de force of vocal-theatre and puppetry Book of Mountains & Seas in a collaboration between Beth Morrison Projects, PROTOTYPE Festival, and Trinity Wall Street; Bach’s St. Matthew Passion with the choirs of Trinity Wall Street and Saint Thomas Church, Fifth Avenue; performances of Thuthuku Sindisi and Gregory Maqoma’s dramaticized work of vocal-theatre Broken Chord at the Brooklyn Academy of Music; and an upcoming soprano Evangelista interpretation of Bach’s St. John Passion at the 2024 Baldwin Wallace Bach Festival. Recent solo recording credits include Israel in Egypt with Jeannette Sorrell and Apollo’s Fire and Circé with Paul O’Dette and Stephen Stubbs and the Boston Early Music Festival Orchestra.

Past treasured performances include Bach’s Jauchzet Gott in allen Landen with Arizona MusicFest; a newly choreographed ballet performance of Del Tredici’s virtuosic and whimsical masterwork An Alice Symphony with Portland Symphony and Ballet in Maine; performing Couperin’s Leçons de Ténèbres in the Easter at King’s Concert Series in King’s College Chapel, Cambridge; tours to Israel, Germany, and France under the baton of Timothy Brown with Cambridge University choirs; and a Toronto début with Scaramella, presenting original work on Baroque physical gesture and the Ferrarese concerto delle donne.

Margaret has enjoyed performing Handel’s Messiah with Memphis Symphony and Winston-Salem Symphony; Bach St Matthew Passion with The Choir of Trinity Wall Street, Bach Akademie Charlotte and Messiah Festival of the Arts; Bach B minor Mass with Bach Akademie Charlotte and American Bach Soloists Academy; Vaughan Williams Benedicite with Arizona MusicFest, and Rutter Requiem with Evansville Philharmonic.

As a choral conductor, Margaret was Artistic Director of Nova Voce, Charlotte's premier women's choral ensemble, from 2018-2020, and Assistant Director of Amor Artis, an elite chamber choir based in New York City. She has held faculty positions at the University of North Carolina at Charlotte, on Bach Akademie Charlotte Vocal Fellows Program, and at Oklahoma Summer Arts Institute in Quartz Mountain. She previously served as Director of Youth Education Projects for Apollo's Fire: The Cleveland Baroque Orchestra and has also held positions as assistant chorus-master to the Winston-Salem Symphony Chorus and acting director of the Keele Bach Choir, Keele Philharmonic Choir, and Keele Philharmonic Orchestra in Staffordshire (UK); and she was selected as a conducting fellow at the Yale Norfolk Chamber Music Festival in Norfolk, CT.

A native of Charlotte, North Carolina, Margaret holds the D.M.A. in Historical Performance from Case Western Reserve University; the M.Mus in Choral Studies from the University of Cambridge, where she was a Gates Cambridge Scholar; and degrees in voice and organ from the University of North Carolina at Greensboro. Recent scholarship includes work on physical gesture in the madrigal repertory of the concerto delle donne in late sixteenth-century Ferrara, and she is active as a voice teacher and choral conductor and lectures nationally on physical gesture for singers.

Margaret is a devoted mother, and when her daughter allows her two hands, she is also an avid knitter, yogi, runner, and hiker, and she enjoys experimental cooking and mixing craft cocktails with her husband Nicolas and beloved kitties, who enjoy participating when allowed. She lives in New York City and is a member of The Choir of Trinity Wall Street.

Previous Education

Keele University
University of North Carolina at Greensboro

Links

http://margaretcarpenterhaigh.com
https://www.linkedin.com/in/margarethaigh

I studied medicine at Radboud University (the Netherlands). During my studies I realised that, whilst working in medicine is both extremely rewarding and challenging, there are many patients for whom curative treatments are not available. This sparked my interest in translational research; I want to make a contribution to get science from the ‘bench to the bedside’ to improve the outcomes for patients. Therefore, I intermitted my medical degree to undertake an MPhil at the University of Cambridge, supervised by Dr Mark Toshner and Dr Chris Wallace. We investigated the link between autoimmunity and Pulmonary Arterial Hypertension (PAH); a rare but deadly cardiovascular disease. We found that a significant subset of PAH patients had a clear autoimmune signature. I was keen to further investigate this, which led me to apply for a PhD after completing my medical degree. In my PhD, I aim to identify the mechanisms mediating the link between autoimmunity and PAH as well as biomarkers associated with autoimmunity in PAH. In the future, this may result in personalised treatment and better outcomes for PAH patients. I am delighted to become a part of the community of Gates Cambridge Scholars and look forward to start in Cambridge!

Previous Education

Radboud University Nijmegen Medicine 2023
University of Cambridge Translational Biomed Research 2020
Radboud University Nijmegen Medicine 2019

I grew up in Dunedin, New Zealand, where I later studied a BA in Classical Studies and Anthropology, and a BA Hons and MA in Anthropology at Otago University. My work explores the deep human history of the Indo-Pacific islands and long term changes to society, technology, and subsistence. My research around New Guinea has focussed on 1) the production and exchange of material culture by Austronesian-speaking communities around the northeast coast of Papua New Guinea; 2) Pleistocene-Holocene settlement, agriculture, and trade around the New Guinea Highlands; and, most recently as the subject of my PhD research, 3) human adaptation to small rainforested islands in eastern Wallacea and northwest New Guinea. Prior to beginning my PhD I was employed as Research Coordinator at Southern Pacific Archaeological Research where I examined stone tool industries around southern Aotearoa, early European settler urbanisation and industry, and the first Chinese settlement of New Zealand in the late nineteenth century.

Previous Education

University of Otago

Derron Wallace is a sociologist of race, ethnicity and education. He specializes in cross-national studies of structural and cultural inequalities in urban schools across global cities. His current research examines the educational outcomes of Black youth in London and New York City.

Derron is a Phi Beta Kappa and summa cum laude graduate of Wheaton College (Massachusetts), where he studied sociology and the African diaspora. He earned his Ph.D. at the University of Cambridge, and was awarded American Educational Research Association's Distinguished Dissertation Award in 2015.

With wide-ranging experiences in educational activism, analysis, policy and research, Derron has worked with nomads in Ethiopia, young people with disabilities in Rwanda, immigrant youth in London, economically disadvantaged rural youth in Jamaica, English language learners in Thailand and gifted students in New York City. He served as Special Assistant to the Minister of Education in Rwanda. He also worked as a professional community organizer and consultant with local educational authorities in London.